Rig Breakdown
Title:
Title:
Dolly ModX Camera Push

Commercial

Commercial

Commercial
about the rig
Modulus-X offset dolly rig for pushing through car windshields and windows. Ran 12’ off the front and 8’ off the back. On the nose is a wedge plate with a dovetail to keep the rialto body super low profile. This is the dummy method where the tilt and pan are fixed. Mounted the venice body to the arm 9’ back and used minimal counterweight in the back. Truss and ModParts from Division.
Camera Rigging
Camera Rigging
Camera Rigging
Camera Movement
Camera Movement
Camera Movement
Key Grip
Brendan Riel
the crew
DP: | Ryan Spacone |
Grip Crew: | Connor Colby, Jordan Hodges, DJ Meyer |









built with
Fisher Model 10
Fisher Model 10
Fisher Model 10
Mx|66|
Mx|66|
Mx|66|
Modulus-X™ Truss
Modulus-X™ Truss
Modulus-X™ Truss
Modern Studio Equipment
Modern Studio Equipment
Modern Studio Equipment



by:
Brendan Riel
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rig breakdown
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by:
Brendan Riel
My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown
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by:
Brendan Riel
My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

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rig breakdown
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We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.
The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.
For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown
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by:
Brendan Riel
We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.
The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.
For mobility, we mounted the whole rig on C&C Studio Services tri-casters.