Rig Breakdown

Title:

Title:

Hard Mount Car Rig

car rig on yellow car

Commercial

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car rig on yellow car

Commercial

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car rig on yellow car

Commercial

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about the rig

Hard mounts underneath the rear of this vehicle provided secure points for this rig. ModX was integrated for stability and as a platform for the block battery. Uprights were triangulated back to the rig, a ratchet was added to keep the rig in tension and prevent wobble, and the rig was triangulated to an independent body point with a suction cup.

Car rigging

Car rigging

Car rigging

Hard Mount

Hard Mount

Hard Mount

Key Grip

Federal Grip Co

modx and pipe car rig on yellow car
modx and pipe car rig on yellow car
modx and pipe car rig on yellow car
hard mount car rig on yellow car
hard mount car rig on yellow car
hard mount car rig on yellow car

built with

Gripfilm

Gripfilm

Gripfilm

Suction Cups

Suction Cups

Suction Cups

Modulus-X™

Modulus-X™

Modulus-X™

Hollaender

Hollaender

Hollaender

Speedrail

Speedrail

Speedrail

by:

Legacy Grip

similar posts

similar posts

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

Case Study

Title

by:

adam levin j

this is about

Case Study

Title

by:

adam levin j

this is about

Case Study

Title

by:

adam levin j

this is about

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

Case Study

Title

by:

adam levin j

this is about

Case Study

Title

by:

adam levin j

this is about

Case Study

Title

by:

adam levin j

this is about

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Website Links

Upcoming

Shows

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Shop

coming soon

Podcast

coming soon

community

coming soon

Join our newsletter & stay up to date

By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.

Legacy Grip 2025 All Rights Reserved

Consent Preferences

Website Links

Upcoming

Shows

coming soon

Shop

coming soon

Podcast

coming soon

community

coming soon

Join our newsletter & stay up to date

By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.

Legacy Grip 2025 All Rights Reserved

Consent Preferences
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