Project BTS

Title:

Title:

LIVE ACTION VIDEO GAME SHOOT

Short film

Short film

Short film

about the project

Live action video game shoot for a well known game franchise. Mix between stage days on blue screen and a location day at a studio lot shipping container wall. Studio setup consisted of 30’x100’ digital blue screen hung on 12” box truss. Hung a flying 12x30 blue screen made out of ModTruss for some low angle shots so we could get some ceiling coverage. Runs of truss for blue screen lighting hung 8’ off. Picked points for motors by setting box truss and I beams in the stage perms. Rigged a few 40’ tall 69” wide scissors with 20x20 blues to be mobile and cap the end of our big blue. Outdoor setup at the shipping containers consisted of a par can array on a JLG 1250AJP and two S360’s on a 1200SJP.

Overhead Rigging

Overhead Rigging

Overhead Rigging

Condor Rigging

Condor Rigging

Condor Rigging

Lighting

Lighting

Lighting

Project role

Key Grip

built with

CM Lodestar Motors

CM Lodestar Motors

CM Lodestar Motors

12” Box Truss

12” Box Truss

12” Box Truss

ModTruss™

ModTruss™

ModTruss™

by:

Brendan Riel

similar posts

similar posts

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

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Shop

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Podcast

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community

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Join our newsletter & stay up to date

By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.

Legacy Grip 2025 All Rights Reserved

Consent Preferences

Website Links

Upcoming

Shows

coming soon

Shop

coming soon

Podcast

coming soon

community

coming soon

Join our newsletter & stay up to date

By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.

Legacy Grip 2025 All Rights Reserved

Consent Preferences