Project BTS

Title:

Title:

Commercial W/ Camera Rig & Matrix Head

Lazy susan camera rig

Commercial

Lazy susan camera rig

Commercial

Lazy susan camera rig

Commercial

about the project

Fun multi-day commercial for a sports brand. We were on a small stage for the better part of all days except for half a morning a few blocks away on a sports field. The stage was small and photo shared spaces with video. We shot in a black box room which consisted of black walls on 3 sides, and a larger stage which housed our living room set, our gym set, and 2 photo backdrops. We ran a Fisher 10 dolly with a Matrix head from TCC, teched by the wonderful Christian Hurley. Dolly was pushed by Adriam Proleiko. The Matrix head makes it so that many moves can be rolled across the floor without the need for track. We also pulled off a variation of the Lazy Susan rig but instead spun talent in coordination with the camera. This was a custom rig utilizing Division Rentals Modulus-X truss and ModParts. We had 45 minutes to pre-rig as much of the rig as we could in pieces and then had to move those pieces onto the elevated set and assemble in the final position. We cut a few corners - especially when it came to camera triangulation / support and counterweight. But it got the job done and we spun the rig by hand. Worked well.

Camera Rigging

Camera Rigging

Camera Rigging

Project role

Brendan Riel

by:

Brendan Riel

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rig breakdown

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My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

rig breakdown

20x20 Flyswatter

by:

Brendan Riel

My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.

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rig breakdown

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Brendan Riel

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For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown

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by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

rig breakdown

ModX Rolling Soft Toplight

by:

Brendan Riel

We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.

The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.

For mobility, we mounted the whole rig on C&C Studio Services tri-casters.

Case Study

Title

by:

adam levin j

this is about

Case Study

Title

by:

adam levin j

this is about

Case Study

Title

by:

adam levin j

this is about

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community

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Join our newsletter & stay up to date

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Website Links

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Shows

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Shop

coming soon

Podcast

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community

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Join our newsletter & stay up to date

By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.

Legacy Grip 2025 All Rights Reserved

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