Rig Breakdown
Title:
Title:
Vehicle Rig With Hard Mounts & Suctions
Short film
Short film
Short film
about the rig
Pulled the bumper for this rig to access hard mounts on the frame. Integrated speed rail starter onto the frame and built out with speedrail and hollaenders. Used over unders for our main hard mounted support piece to add rigidity. Could have used steel pipe but we didn’t have any on hand. Triangulated near the camera mounting position with more speedrail to 10” & 6” suction cups. Sometimes when doing vehicle rigs I like to ommit using any sort of leveling head and just mount the dovetail straight to a cheeseplate. I find those mini ball heads slip unless you can triangulate the crap out of them and this is sometimes a better solution. At the end we put the bumper back on.
Vehicle Rigging
Vehicle Rigging
Vehicle Rigging
Behind the Scenes
Behind the Scenes
Behind the Scenes
Key Grip
Brendan Riel
the crew
DP: | Andrew Shankweiler |
Grip Crew: | Logan Alesso |
built with
Woods Suction Cups
Woods Suction Cups
Woods Suction Cups
Speedrail
Speedrail
Speedrail
Modern Studio Equipment
Modern Studio Equipment
Modern Studio Equipment
by:
Brendan Riel
similar posts
similar posts
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rig breakdown
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by:
Brendan Riel
My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.
rig breakdown
20x20 Flyswatter
by:
Brendan Riel
My standard swatter built. Triangle truss with 1 steel. 8’ verticals for the goalpost with a 5’ horizontal. Wigs from the bucket to the tri truss. Kickers on the goalpost. 20’ kickers from the goalpost to the 20x20 frame. 2x belly lines to finish it off.
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rig breakdown
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by:
Brendan Riel
We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.
The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.
For mobility, we mounted the whole rig on C&C Studio Services tri-casters.
rig breakdown
ModX Rolling Soft Toplight
by:
Brendan Riel
We built this mobile toplight softbox using 6" ModX truss to serve four different sets inside a tight studio space with limited overhead clearance. The goal was to keep costs down and avoid building duplicate overhead rigs or ground units for each set. So, we designed a rolling, double-layered softbox that could easily move from set to set—and double as an in-frame ceiling piece when needed.
The structure measured 14’x14’ OD and held two 12x12 frames: one with 1/2 grid and one with bleached muslin. The bleached muz was rigged with a pulley system, allowing us to raise or drop the rag when we needed to bring it into the scene as a ceiling element. We punched LiteTile through both rags for soft, consistent coverage.
For mobility, we mounted the whole rig on C&C Studio Services tri-casters.
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Legacy Grip 2025 All Rights Reserved
By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.
Legacy Grip 2025 All Rights Reserved
By subscribing you agree to with our privacy policy and provide consent to receive updates from our company.
Legacy Grip 2025 All Rights Reserved